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Also, the filmmaker respects the audience. He doesn’t make demi-gods out of his heroes, they are just kings. The difference between Mani Ratnam’s brand of commercial films and the rest becomes evident with Ponniyin Selvan. Ravi Varman’s work obviously belongs to the second category. It’s one thing to make shots scream ‘grand’ and another to shoot the innate grandness of things. It would be a cliche to say ‘every frame of cinematographer Ravi Varman looks like a painting’, but what can you do when it is the truth? From Nandini relaxing in her palace before meeting Vanthiyathevan to the extreme long shot of Poongkuzhali’s boat in the vast ocean to the entry of Aditha Karikalan on his horse, many such frames in PS1 are worthy enough to be hung as paintings. The lines seldom sound odd to the viewer who doesn’t speak that old Tamil anymore.ĪLSO READ | Tracing the journey of Ponniyin Selvan – one big dream of MGR, Kamal Haasan and Mani RatnamĪnother hero of the film has stood behind the camera. Tamil writer Jeyamohan turned out to be the right man for the job. The director has said earlier he was worried about the dialogues as he wanted them to be pure Tamil but not dramatic and archaic. Similarly, we have pretty everyday dialogues sans the usual Mani Ratnam touch. It is an evident symbolism, but subtle and effective. How do you show this pain without dialogue? Here’s how: the king is undergoing acupuncture treatment and the doctors are piercing his ‘back’ with needles as he speaks to the traitors. The king knows the two, who have been faithful friends of the kingdom, are plotting against him.
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Take the scene where Pazhuvettaraiyar brothers (Sarathkumar and Parthiban) meet Sundara Cholan. The meeting of Nandini ( Aishwarya Rai) and Kundhavai (Trisha) is sparkling, Aditha Karikalan’s monologue about Nandini is memorable, and Vallavarayan Vanthiyathevan’s hopeless pick-up lines are more enjoyable than sinking ships and burning forts. Mani Ratnam makes the drama more engrossing than the sword fights. While it’s tough to even write a pithy synopsis of the 5-part novel, Mani Ratnam’s Ponniyin Selvan finds time and space to include the best of the original and add two immersive war sequences.ĪLSO READ | Ponniyin Selvan 1 release and review LIVE UPDATES: Mani Ratnam delivers a royal epic, to collect Rs 50 cr on day 1 in box office
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This is just one piece of the jigsaw, with other plotlines involving Arulmozhi Varman (Jayam Ravi) in Sri Lanka and Kundhavai (Trisha) in Pazhayarai. The young prince, who is away from the capital, sends his friend Vallavarayan Vanthiyathevan (Karthi), a spy and a messenger from Kanchi, to find the traitors. With Sundara Cholan’s (played by Prakash Raj) failing health, a coup is staged to prevent prince Aditha Karikalan (Vikram) from becoming the next king. Covering about two-and-a-half books of the five-part series, Ponniyin Selvan 1 tells the story that takes place in multiple places. He cuts through the faff (honestly, there’s a lot in the text) and takes only things that move the story forward. It’s a tough choice - what to use and what to discard.
#Only the brave movie vs reality how to
The toughest aspect of adapting Ponniyin Selvan into a film is how to condense a magnum opus spanning 2000 pages into a 2.5 hour movie.
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